Discourse, Bind 13Indiana University Press, 1990 |
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Side 59
... castration . Moreover , he argues that these films restage the mirror phase as defined by Lacanian psychoanalysis . Because the spectator misrecognizes the hero's bodily coherence as his own , he eludes the threat of castration ...
... castration . Moreover , he argues that these films restage the mirror phase as defined by Lacanian psychoanalysis . Because the spectator misrecognizes the hero's bodily coherence as his own , he eludes the threat of castration ...
Side 76
... castration signified by Miriam and her transgressive sexuality . Mary Ann Doane has shown that glasses worn by women ... castration , her cracked glasses , guarantee Guy's totality and coherence . He can now return her look with- out ...
... castration signified by Miriam and her transgressive sexuality . Mary Ann Doane has shown that glasses worn by women ... castration , her cracked glasses , guarantee Guy's totality and coherence . He can now return her look with- out ...
Side 78
... castration ( and by implication the castration of all women who dare to resist the postwar return to normalcy ) . As we saw above , the film seems to suggest that the stability of American society depends on the female subject accepting ...
... castration ( and by implication the castration of all women who dare to resist the postwar return to normalcy ) . As we saw above , the film seems to suggest that the stability of American society depends on the female subject accepting ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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advertising aesthetic American argues Baby Barthes become body Bruno CALIFORNIA/RIVERSIDE camera cinema communist contemporary context Crane's crisis critical critique crossdressing culture dance death desire discourse emotions essay Ethel expression female feminine feminism feminist Freud gender Graham grief Hedda Gabler Herbert Blau heterosexual Hitchcock's film homosexual homosexuals and lesbians hysteria hysterical Ibsen identity ideology individual issues Julia Kristeva Kaja Silverman Kristeva language Laura Mulvey Les Samouraïs lesbians literary male Martha Graham Mary Ann Doane masculine Melancholia melodrama modern Modleski mother mourning narrative Oedipal patriarchal performance Petro play political position postmodern practice Primitive produce psychoanalysis question rape reading realism relation representation represents rhetorical Rosenberg Rosler Routledge semiotic sexual social society spectator spectator's suggests television theater theatrical theoretical theory tion trans University Library University of Wisconsin-Milwaukee Valie Export Vietnam visual woman women writing York