Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 13Indiana University Press, 1990 |
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Side 74
... Bruno . In the context of his accidental meeting with Bruno , the " A " engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to ...
... Bruno . In the context of his accidental meeting with Bruno , the " A " engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to ...
Side 76
... Bruno does . He does not desire Bruno , Bruno desires him . In this respect , Hitchcock's film follows the example of contemporary juridical discourse in privileging a psychoanalytic understanding of male subjectivity . In particular ...
... Bruno does . He does not desire Bruno , Bruno desires him . In this respect , Hitchcock's film follows the example of contemporary juridical discourse in privileging a psychoanalytic understanding of male subjectivity . In particular ...
Side 77
... Bruno ; rather the choice is made for him . He continues to mimic Bruno's actions even in the final shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over , in these shots ...
... Bruno ; rather the choice is made for him . He continues to mimic Bruno's actions even in the final shots of the film . He pursues Bruno through the amusement park just as Bruno once pursued Miriam . More- over , in these shots ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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