The Yale Literary Magazine, Bind 93,Oplag 9Herrick & Noyes, 1928 |
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Side 212
... impression of real life in a novel is now considered an artistic achievement rather than a trick of technique . From reading his work , one conceives of the realist as a man who sits before a laboratory table observing through a ...
... impression of real life in a novel is now considered an artistic achievement rather than a trick of technique . From reading his work , one conceives of the realist as a man who sits before a laboratory table observing through a ...
Side 228
... impression essential to the short story . The loosely organized narrative of Out of Nowhere Into Nothing , in particular , is surprising after the rigid sense of form apparent in Winesburg , Ohio . When they are not too full of ...
... impression essential to the short story . The loosely organized narrative of Out of Nowhere Into Nothing , in particular , is surprising after the rigid sense of form apparent in Winesburg , Ohio . When they are not too full of ...
Side 277
... impression they give in appearing when least required or expected ! We can almost picture the narrator sitting before us , and pausing most naturally every little while to drop his voice and slip in one of these remarks with a careless ...
... impression they give in appearing when least required or expected ! We can almost picture the narrator sitting before us , and pausing most naturally every little while to drop his voice and slip in one of these remarks with a careless ...
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THE YALE LITERARY MAGAZINE | 209 |
Early Spring JOHN I B MCCULLOCH | 244 |
Madman WILDER HOBSON | 256 |
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