The Yale Literary Magazine, Bind 93,Oplag 9Herrick & Noyes, 1928 |
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Side 230
... elements already described as present in all Anderson's work , the objective and the subjective , the synthesis of ... element runs wild , completely submerging the narra- tive in what is practically one long philosophical monologue by ...
... elements already described as present in all Anderson's work , the objective and the subjective , the synthesis of ... element runs wild , completely submerging the narra- tive in what is practically one long philosophical monologue by ...
Side 233
... elements , and out of it come the worst , when he fails to reconcile them . Here this pressure is absent , neither intensifying the book to a masterpiece nor breaking it apart in ruin . Its absence has had the same effect on the form ...
... elements , and out of it come the worst , when he fails to reconcile them . Here this pressure is absent , neither intensifying the book to a masterpiece nor breaking it apart in ruin . Its absence has had the same effect on the form ...
Side 240
... elements of the art of Sherwood Anderson . IV . In a time when great industrial and economic forces like em- battled skyscrapers are crashing together over our heads , the work of Anderson somehow escapes the debacle . It is saved ...
... elements of the art of Sherwood Anderson . IV . In a time when great industrial and economic forces like em- battled skyscrapers are crashing together over our heads , the work of Anderson somehow escapes the debacle . It is saved ...
Indhold
THE YALE LITERARY MAGAZINE | 209 |
Early Spring JOHN I B MCCULLOCH | 244 |
Madman WILDER HOBSON | 256 |
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