Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 20,Oplag 1–2Indiana University Press, 1998 |
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Side 168
... voice , apparently in the room it seemed like 3D in the room but I couldn't figure out what was going on , and I ... voice . You had thought of yourself as having a very high - pitched voice , ... Ginsberg : Uh huh . Foley : And then in ...
... voice , apparently in the room it seemed like 3D in the room but I couldn't figure out what was going on , and I ... voice . You had thought of yourself as having a very high - pitched voice , ... Ginsberg : Uh huh . Foley : And then in ...
Side 169
... voice , so to speak or in the sternum . You know , where the bones come together in the chest . Your voice can resonate there and sink down even lower to the solar plexus , and you have to speak very quietly and be very re- laxed in ...
... voice , so to speak or in the sternum . You know , where the bones come together in the chest . Your voice can resonate there and sink down even lower to the solar plexus , and you have to speak very quietly and be very re- laxed in ...
Side 234
... voice , the twist of my tongue . At the open readings , where anyone could stand up , I remained in the cheering audience . Roi was so much better ; everyone else was so much better . ( Jones , How 48 ) In Jones ' memoir we see clearly ...
... voice , the twist of my tongue . At the open readings , where anyone could stand up , I remained in the cheering audience . Roi was so much better ; everyone else was so much better . ( Jones , How 48 ) In Jones ' memoir we see clearly ...
Indhold
Bob Kaufman | 27 |
Eileen Kaufman | 67 |
shall Sell Paris | 101 |
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