Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 20,Oplag 1–2Indiana University Press, 1998 |
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Side 20
... painting , I was finding a way out from the past ( classical calligraphy ) , and still carrying on to new shores the inherent possibilities of Arabic writing : I was discovering , by experiencing it , that writing and drawing were one ...
... painting , I was finding a way out from the past ( classical calligraphy ) , and still carrying on to new shores the inherent possibilities of Arabic writing : I was discovering , by experiencing it , that writing and drawing were one ...
Side 82
... painting , always suggested the image . And we were influenced by a guy named Ed Rinehart , who painted all black paintings . He called his paintings " Black Painting No. 1 " and " Black Painting No.2 . " number three , number four ...
... painting , always suggested the image . And we were influenced by a guy named Ed Rinehart , who painted all black paintings . He called his paintings " Black Painting No. 1 " and " Black Painting No.2 . " number three , number four ...
Side 111
... painting . Of course , Gysin was also a painter . A full - fledged member of the surrealist movement in the ' 30s , he enjoyed the tangible , hands- on quality of painting , the engagement with the medium's mate- rials . This tactility ...
... painting . Of course , Gysin was also a painter . A full - fledged member of the surrealist movement in the ' 30s , he enjoyed the tangible , hands- on quality of painting , the engagement with the medium's mate- rials . This tactility ...
Indhold
Bob Kaufman | 27 |
Eileen Kaufman | 67 |
shall Sell Paris | 101 |
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