Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 20,Oplag 1–2Indiana University Press, 1998 |
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Side 162
... Foley : It's a very funny poem , and it ends . . . Ginsberg : It's an ambiguous end , because you can't do one or the other . Foley : If we shouldn't follow your path , should we follow your advice ? Ginsberg : Well , you've gotta take ...
... Foley : It's a very funny poem , and it ends . . . Ginsberg : It's an ambiguous end , because you can't do one or the other . Foley : If we shouldn't follow your path , should we follow your advice ? Ginsberg : Well , you've gotta take ...
Side 169
... Foley : Like The Waste Land , your poems seem to depend more upon people speaking things - voices more or less ... Foley : Yeah . But there's also the whole scene which is in the pub . Ginsberg : It's all voices talking . Foley : It's ...
... Foley : Like The Waste Land , your poems seem to depend more upon people speaking things - voices more or less ... Foley : Yeah . But there's also the whole scene which is in the pub . Ginsberg : It's all voices talking . Foley : It's ...
Side 172
... Foley : That's true , but ... Ginsberg : ... upper - class , middle - class , lower - class , Cadillac- owner , . Foley : But within the confines of literature , people usually try to stick to one or two . Whereas this is . . . Ginsberg ...
... Foley : That's true , but ... Ginsberg : ... upper - class , middle - class , lower - class , Cadillac- owner , . Foley : But within the confines of literature , people usually try to stick to one or two . Whereas this is . . . Ginsberg ...
Indhold
Bob Kaufman | 27 |
Eileen Kaufman | 67 |
shall Sell Paris | 101 |
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