Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 206
... verse ( any more than it can examine all kinds of regular verse ) . Some kinds are so free as no longer to constitute verse at all , but only prose set down in a kind of " verse picture " on the page - bad free verse , and usually bad ...
... verse ( any more than it can examine all kinds of regular verse ) . Some kinds are so free as no longer to constitute verse at all , but only prose set down in a kind of " verse picture " on the page - bad free verse , and usually bad ...
Side 209
... verse in " The Waste Land " approaches the condition of blank verse - a kind of “ as - if ” iambic pentameter , which is itself a rhythmic effect . References to Shakespeare , and even quotation from Shakespeare in the text , heighten ...
... verse in " The Waste Land " approaches the condition of blank verse - a kind of “ as - if ” iambic pentameter , which is itself a rhythmic effect . References to Shakespeare , and even quotation from Shakespeare in the text , heighten ...
Side 211
... verse at all , since by definition verse is based upon return . Poetry , whether regular or free , comes in waves of sound and sense , rising and falling and falling over its own rising , and mixing and mingling its parts in its rising ...
... verse at all , since by definition verse is based upon return . Poetry , whether regular or free , comes in waves of sound and sense , rising and falling and falling over its own rising , and mixing and mingling its parts in its rising ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG