Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 30
... thought . It is her experience that the " flow of ideas is heightened by mild emo- tion . " 991 The stimulation that emotion in its integrative aspect offers to man seems to alert him to the nature of his environment and to the ...
... thought . It is her experience that the " flow of ideas is heightened by mild emo- tion . " 991 The stimulation that emotion in its integrative aspect offers to man seems to alert him to the nature of his environment and to the ...
Side 47
... thought and feeling . The com- bination of thought and feeling , sense and sensibility was a con- sideration for Wordsworth in his view of poetry . He saw that poetry was intimately concerned with emotion , but he also found that if it ...
... thought and feeling . The com- bination of thought and feeling , sense and sensibility was a con- sideration for Wordsworth in his view of poetry . He saw that poetry was intimately concerned with emotion , but he also found that if it ...
Side 48
... thought and feeling , that is not to say that he cannot , in the course of his aesthetic experiences , entertain thoughts in close company with feelings or emotions . Both the artist - writer and the artist - reader suffer the tensions ...
... thought and feeling , that is not to say that he cannot , in the course of his aesthetic experiences , entertain thoughts in close company with feelings or emotions . Both the artist - writer and the artist - reader suffer the tensions ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG