Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 51
... social cohesion is strong . In modern society , which is highly differenti- ated , collective emotions are dissipated . Nevertheless modern man carries his collective emotions into solitude , and there he sings his songs , which are ...
... social cohesion is strong . In modern society , which is highly differenti- ated , collective emotions are dissipated . Nevertheless modern man carries his collective emotions into solitude , and there he sings his songs , which are ...
Side 59
... social environments . While it remains true that literature looks through the surface of life into the depths of human motivation , where lie the hidden springs of natural im- pulse , it is no less true that literature makes a thorough ...
... social environments . While it remains true that literature looks through the surface of life into the depths of human motivation , where lie the hidden springs of natural im- pulse , it is no less true that literature makes a thorough ...
Side 60
... social surface in such a way as to expose the inner process . Literature uses selection , clarification , and intensification in the interest of making manifest the inner workings of the soul , the heart , and the mind of human beings ...
... social surface in such a way as to expose the inner process . Literature uses selection , clarification , and intensification in the interest of making manifest the inner workings of the soul , the heart , and the mind of human beings ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG