Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 106
... sense of the ability to evaluate accompanies such moments . We seem to know , and the knowledge seems dramatic in ... sense in which we are using the word . Its evaluation would be bound by the experiences actually undergone , and ...
... sense of the ability to evaluate accompanies such moments . We seem to know , and the knowledge seems dramatic in ... sense in which we are using the word . Its evaluation would be bound by the experiences actually undergone , and ...
Side 190
... sense appealed to , and counts on that particular sense appeal for its relationship to the rest of the work , readers have much latitude in the sense nature of the response they make ; the poet cannot ask that every reader have ...
... sense appealed to , and counts on that particular sense appeal for its relationship to the rest of the work , readers have much latitude in the sense nature of the response they make ; the poet cannot ask that every reader have ...
Side 283
... sense . Roback's theory takes a primary interest in phonemes and phonexes , but when it comes to lines of verse , or phrases , or sentences , then other features such as accent and stress begin to produce an effect that is startling ...
... sense . Roback's theory takes a primary interest in phonemes and phonexes , but when it comes to lines of verse , or phrases , or sentences , then other features such as accent and stress begin to produce an effect that is startling ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG