Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 37
... scene amusing until he has learned to experience a degree of anger and fear . The reader of literature finds that his understanding of the scene de- pends first on his ability to experience simultaneously the emo- tions of fear and ...
... scene amusing until he has learned to experience a degree of anger and fear . The reader of literature finds that his understanding of the scene de- pends first on his ability to experience simultaneously the emo- tions of fear and ...
Side 76
... scene , we must remember that the scene which he re - presents is only in part a representation of what lies before his eyes ; it is also in part a creation from what lies behind his eyes , in the womb of the brain , the fertile ...
... scene , we must remember that the scene which he re - presents is only in part a representation of what lies before his eyes ; it is also in part a creation from what lies behind his eyes , in the womb of the brain , the fertile ...
Side 222
... scene . Summary may appear , but only in terms of scene . In the opening act , one of the characters may , for example , narrate certain information needed for further de- velopment of the plot : his summary ( called exposition in the ...
... scene . Summary may appear , but only in terms of scene . In the opening act , one of the characters may , for example , narrate certain information needed for further de- velopment of the plot : his summary ( called exposition in the ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG