Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 86
... prose . Compared with prose , that is , poetry has seemed often to contain a tighter , closer weav- ing of its fabric ; each word in the poem has seemed to weigh more heavily , to enter more largely into the meaning than was the case ...
... prose . Compared with prose , that is , poetry has seemed often to contain a tighter , closer weav- ing of its fabric ; each word in the poem has seemed to weigh more heavily , to enter more largely into the meaning than was the case ...
Side 221
... prose ; when it is written in poetic form , it makes use of the principle of pattern or return characteristic of all poetic rhythms . It is commonly felt that poetic drama has a greater emotionality than drama written in prose , but ...
... prose ; when it is written in poetic form , it makes use of the principle of pattern or return characteristic of all poetic rhythms . It is commonly felt that poetic drama has a greater emotionality than drama written in prose , but ...
Side 241
... prose statement . Try putting the lines into straight prose this way : And immediately I regretted it . I thought how paltry , how vulgar , what a mean act ! I despised myself and the voices of my accursed hu- man education ; and I ...
... prose statement . Try putting the lines into straight prose this way : And immediately I regretted it . I thought how paltry , how vulgar , what a mean act ! I despised myself and the voices of my accursed hu- man education ; and I ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG