Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 78
... poem begins and ends with the particular statement " Jenny kissed me , " but be- tween the two lines come the reflections which make all the difference between the weight of the first line and the weight of the last . The poem ends in a ...
... poem begins and ends with the particular statement " Jenny kissed me , " but be- tween the two lines come the reflections which make all the difference between the weight of the first line and the weight of the last . The poem ends in a ...
Side 130
... poem depends in part upon the quality and completeness of the experience within the poem itself and in part upon the fitness , as a judge , of the reader . A poem may seem to a given reader not a particularly good poem , either because ...
... poem depends in part upon the quality and completeness of the experience within the poem itself and in part upon the fitness , as a judge , of the reader . A poem may seem to a given reader not a particularly good poem , either because ...
Side 167
... poem must be willing to suspend disbelief for the moment ; to be capable of an act of faith , as it were , setting ... poem is always , and in a very natural way , in some degree different from another reader's experience of the same ...
... poem must be willing to suspend disbelief for the moment ; to be capable of an act of faith , as it were , setting ... poem is always , and in a very natural way , in some degree different from another reader's experience of the same ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG