Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 78
... particular experi- ence to the generalization that Time , that old thief , cannot take away such memories as Jenny's kiss , though the kiss itself remains in time past . In this way , man defeats Time . The poem begins and ends with the ...
... particular experi- ence to the generalization that Time , that old thief , cannot take away such memories as Jenny's kiss , though the kiss itself remains in time past . In this way , man defeats Time . The poem begins and ends with the ...
Side 80
... particular real - life experience . He was re - pre- senting , imitating , an experience common in real life , but modify- ing it and giving it particular point here by choosing a certain point of view , a certain attitude , by which to ...
... particular real - life experience . He was re - pre- senting , imitating , an experience common in real life , but modify- ing it and giving it particular point here by choosing a certain point of view , a certain attitude , by which to ...
Side 119
... particular personality , doubt- less the instructions for murder would appall us — just as we would be appalled at the prospect of killing , for Sunday dinner , a chicken brought up as a pet . But this abbot is a duck , a “ filthy fowl ...
... particular personality , doubt- less the instructions for murder would appall us — just as we would be appalled at the prospect of killing , for Sunday dinner , a chicken brought up as a pet . But this abbot is a duck , a “ filthy fowl ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG