Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 21
... movement , position , and tension , will be of primary importance . Such a theory recognizes that a person adopts an ... movements excite kinaesthetic sensations in us , the listeners , and thus contribute to the final meaning of the ...
... movement , position , and tension , will be of primary importance . Such a theory recognizes that a person adopts an ... movements excite kinaesthetic sensations in us , the listeners , and thus contribute to the final meaning of the ...
Side 64
... movements of A or B , the personality is integrated and harmonious . Where congruence is lacking ( if B were to speak loudly and have a weak handshake ) the personality is unin- tegrated and the expressive movement self - contradictory ...
... movements of A or B , the personality is integrated and harmonious . Where congruence is lacking ( if B were to speak loudly and have a weak handshake ) the personality is unin- tegrated and the expressive movement self - contradictory ...
Side 221
... movement and gesture are to be , the control over gesture and movement is less clearly possible to the play- wright than to the writer of fiction and poetry . In his re - imitation ( or his re - presentation of the playwright's ...
... movement and gesture are to be , the control over gesture and movement is less clearly possible to the play- wright than to the writer of fiction and poetry . In his re - imitation ( or his re - presentation of the playwright's ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG