Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 48
... mind . " What Wordsworth saw as the conditions for the poetic process undergone by the poet describes in part the aesthetic activity of the reader . When the poet contemplates the emotion in tran- quillity , he reinstates the symptoms ...
... mind . " What Wordsworth saw as the conditions for the poetic process undergone by the poet describes in part the aesthetic activity of the reader . When the poet contemplates the emotion in tran- quillity , he reinstates the symptoms ...
Side 278
... mind will finger single words and caress them , adoring the mellow fullness or granular hardness of their several sounds , the balance , undulation or trailing fall of their syllables , or the core of sun - like splendour in the broad ...
... mind will finger single words and caress them , adoring the mellow fullness or granular hardness of their several sounds , the balance , undulation or trailing fall of their syllables , or the core of sun - like splendour in the broad ...
Side 291
... mind , and where body and mind can be intimately associ- ated , there is likelihood of spiritual health . The sensorimotor origin of speech has left its mark on language ; though we gener- ally regard speech as symbolic in effect ...
... mind , and where body and mind can be intimately associ- ated , there is likelihood of spiritual health . The sensorimotor origin of speech has left its mark on language ; though we gener- ally regard speech as symbolic in effect ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG