Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 97
... light and shadow that the figure of Mangan's sister is first introduced to us , standing in the light of the half - opened door . Against the darkness , the animal vitality of her figure is sharply apparent to the boy who watches her ...
... light and shadow that the figure of Mangan's sister is first introduced to us , standing in the light of the half - opened door . Against the darkness , the animal vitality of her figure is sharply apparent to the boy who watches her ...
Side 245
... light is very good and also , now , there are shadows of the leaves . " " Good night , " said the younger waiter . " Good night , " the other said . Turning off the electric light he con- tinued the conversation with himself . It is the ...
... light is very good and also , now , there are shadows of the leaves . " " Good night , " said the younger waiter . " Good night , " the other said . Turning off the electric light he con- tinued the conversation with himself . It is the ...
Side 249
... light for the night , " who need the café and its clean , pleasant air . Cleanliness , light , air , companionship - these are values which the old man wants and lacks , which the older waiter wants and lacks ; they are the " life ...
... light for the night , " who need the café and its clean , pleasant air . Cleanliness , light , air , companionship - these are values which the old man wants and lacks , which the older waiter wants and lacks ; they are the " life ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG