Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 36
... hand or holding the pinched finger tightly in the other hand while he danced around ? Then , when the pain sub- sided a little , that is , reached a minimal degree of intensity , and while tears were yet in the eyes and the voice choked ...
... hand or holding the pinched finger tightly in the other hand while he danced around ? Then , when the pain sub- sided a little , that is , reached a minimal degree of intensity , and while tears were yet in the eyes and the voice choked ...
Side 119
... hand , and the horrifying nature of the deed being committed , on the other hand , creates the particular tension involved in the use of negative emotions and causes us on the one hand to chuckle and on the other to shudder . It is not ...
... hand , and the horrifying nature of the deed being committed , on the other hand , creates the particular tension involved in the use of negative emotions and causes us on the one hand to chuckle and on the other to shudder . It is not ...
Side 178
... hand in this " ( meaning " I see her influence " ) uses hand for something else which the hand or mind might have done ; " Autumn bends the boughs of the apple trees " uses autumn for the fruit of autumn . While there is a real ...
... hand in this " ( meaning " I see her influence " ) uses hand for something else which the hand or mind might have done ; " Autumn bends the boughs of the apple trees " uses autumn for the fruit of autumn . While there is a real ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG