Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side vi
... discussion proceeds deliberately on an associative basis . We have taken what seems to us a natural and easy way of getting from life to literature , and from details to whole works of literature . The organization by association seems ...
... discussion proceeds deliberately on an associative basis . We have taken what seems to us a natural and easy way of getting from life to literature , and from details to whole works of literature . The organization by association seems ...
Side 54
... discussion of the reader's emotional response to literature , its appropriateness or inappropriateness . You would not , of course , giggle at Ophelia's mad scene , but perhaps you do have emo- tional dispositions that are inappropriate ...
... discussion of the reader's emotional response to literature , its appropriateness or inappropriateness . You would not , of course , giggle at Ophelia's mad scene , but perhaps you do have emo- tional dispositions that are inappropriate ...
Side 168
... discussion of a poem which bludgeons it out of shape . No paraphrase , no discussion of a poem's meaning can precisely duplicate the quality of the poem's experience ; but that does not mean that discussion and paraphrase are wrong ...
... discussion of a poem which bludgeons it out of shape . No paraphrase , no discussion of a poem's meaning can precisely duplicate the quality of the poem's experience ; but that does not mean that discussion and paraphrase are wrong ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG