Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 13
... describe the brush , facial ex- pressions , changes in breathing , etc. Now change your attitude by changing the words with which you describe the brush and how it makes your skin glow with a pleasant sense of exhilaration . Notice now ...
... describe the brush , facial ex- pressions , changes in breathing , etc. Now change your attitude by changing the words with which you describe the brush and how it makes your skin glow with a pleasant sense of exhilaration . Notice now ...
Side 48
... describes in part the aesthetic activity of the reader . When the poet contemplates the emotion in tran- quillity ... describing a condition as essential to the reader as to the writer . If the gen- eral reader has a smaller capacity ...
... describes in part the aesthetic activity of the reader . When the poet contemplates the emotion in tran- quillity ... describing a condition as essential to the reader as to the writer . If the gen- eral reader has a smaller capacity ...
Side 66
... describe the behavior of others in terms that refer to personality traits . If , for example , a man is seen to smile or laugh , the tendency for the observer to describe him as " happy " is almost universal . This tendency indicates ...
... describe the behavior of others in terms that refer to personality traits . If , for example , a man is seen to smile or laugh , the tendency for the observer to describe him as " happy " is almost universal . This tendency indicates ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG