Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 85
... communication of experience but the imitation of experience which is the goal ; communication is subsequent to and secondary to the function of the poem . The worth of the poem is not limited to the degree to which it communicates to a ...
... communication of experience but the imitation of experience which is the goal ; communication is subsequent to and secondary to the function of the poem . The worth of the poem is not limited to the degree to which it communicates to a ...
Side 125
... communication in talking about a work of art . Communication in any clear sense is not at all a necessary part of the definition of a poem or work of art . A poem may be a poem whether or not it happens to communicate to you as an ...
... communication in talking about a work of art . Communication in any clear sense is not at all a necessary part of the definition of a poem or work of art . A poem may be a poem whether or not it happens to communicate to you as an ...
Side 222
... communication to a second reader does not in any way affect the essential excellence of the work of art : but a playwright who never shares his play is almost inconceivable to us , since direct communication has always been an essential ...
... communication to a second reader does not in any way affect the essential excellence of the work of art : but a playwright who never shares his play is almost inconceivable to us , since direct communication has always been an essential ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG