Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 217
... begin with anything in the story which appeals to his imagination first ; he may do anything in any order he chooses , probably . But the point is that all these elements are somehow involved in the process . Suppose the story begins ...
... begin with anything in the story which appeals to his imagination first ; he may do anything in any order he chooses , probably . But the point is that all these elements are somehow involved in the process . Suppose the story begins ...
Side 232
... begin reading . But the poem itself begins matter - of - factly : a snake comes to drink on a hot , hot day , a day so hot that the " I " of the poem ( the point of view is selected at once ) is wearing pyjamas . The visual and thermal ...
... begin reading . But the poem itself begins matter - of - factly : a snake comes to drink on a hot , hot day , a day so hot that the " I " of the poem ( the point of view is selected at once ) is wearing pyjamas . The visual and thermal ...
Side 237
... begins to wear away , reflection leads us both to a consideration of the form of the poem and to some awareness of the poem's universality . " Snake " owes a great measure of its power to the fact that the experience which it embodies ...
... begins to wear away , reflection leads us both to a consideration of the form of the poem and to some awareness of the poem's universality . " Snake " owes a great measure of its power to the fact that the experience which it embodies ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG