Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 7
Wallace A. Bacon, Robert S. Breen. ness and to become solidly real , we seek refuge in further abstract- ness : we become more " educated , " and a consciousness of words as words replaces the images evoked by the words , and ...
Wallace A. Bacon, Robert S. Breen. ness and to become solidly real , we seek refuge in further abstract- ness : we become more " educated , " and a consciousness of words as words replaces the images evoked by the words , and ...
Side 288
... become static . Life is direct experience , vital and dynamic , but for the reasonable man it must never be- come chaotic . Language is the great medium of literature and life ; its sensuous quality keeps literature from becoming ...
... become static . Life is direct experience , vital and dynamic , but for the reasonable man it must never be- come chaotic . Language is the great medium of literature and life ; its sensuous quality keeps literature from becoming ...
Side 304
... become dissociated from the bodily level , and whose expression does not arise from a physical act . Dissatisfaction with the " ocular style " in literature is not to be interpreted as a plea for an incantatory style which overwhelms ...
... become dissociated from the bodily level , and whose expression does not arise from a physical act . Dissatisfaction with the " ocular style " in literature is not to be interpreted as a plea for an incantatory style which overwhelms ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG