Literature as ExperienceMcGraw-Hill, 1959 - 325 sider |
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Side 35
... action . Only those tensions which are expressive of the original act need be induced for appropriate empathy ... action is likely to be incipient and relates to overt or full action as an image relates to direct sensation . It is by no ...
... action . Only those tensions which are expressive of the original act need be induced for appropriate empathy ... action is likely to be incipient and relates to overt or full action as an image relates to direct sensation . It is by no ...
Side 300
... action and the action itself is that it takes longer to describe the action than to swing the club . In literature there is a minimum of verbal distortion when the action reported is itself verbal action , as in dialogue , but when the ...
... action and the action itself is that it takes longer to describe the action than to swing the club . In literature there is a minimum of verbal distortion when the action reported is itself verbal action , as in dialogue , but when the ...
Side 305
... action of men is often significantly nonverbal , the approved method of study has too often ignored the gestural pattern of the action . The final emphasis in this text is on action language because the authors feel impelled to offer a ...
... action of men is often significantly nonverbal , the approved method of study has too often ignored the gestural pattern of the action . The final emphasis in this text is on action language because the authors feel impelled to offer a ...
Indhold
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen Ingen forhåndsvisning - 2021 |
Almindelige termer og sætninger
action aesthetic experience alliteration anapest Annabel Lee attitudes behavior Brace and Company breathing called chapter characters course critic dramatic Emily Dickinson emotions ence example expression eyes feel figure free verse gestures GIRL give Harcourt Hello-out human iambic pentameter images imitation interest interpretation James Joyce Katherine Anne Porter kind King language listen literature look MacLain meaning ment metonymy Miss Melanctha movement nature object onomatopoeia oral reader particular pattern perception perhaps personality phrase play Plez poem poet poetry point of view prosody Psychology Quoted by permission reading response rhyme rhythm scene seems sense Shakespeare snake Snowdie social sound speak speaker speech stanza story stress suggested syllable symbolic synecdoche talk tell tensions thing tion trimeter trochees understanding University Press verbal verse voice W. K. Wimsatt Well-Lighted Place Werner Wolff Willie Francis words writer York YOUNG