Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 6–9Indiana University Press, 1979 |
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Side 64
... human beings do make their own history , but not of their own free will . The deconstruction of subject ideology notwithstanding , the question remains as to why the enormous productivity of generations has yielded so little praxis , so ...
... human beings do make their own history , but not of their own free will . The deconstruction of subject ideology notwithstanding , the question remains as to why the enormous productivity of generations has yielded so little praxis , so ...
Side 54
... human observer's uncertainty into the center of the scientific stage , interposing human indeterminacy between the scientist's theory and reality . Cybernetics was framed as a response to what for many , including Einstein and Wiener ...
... human observer's uncertainty into the center of the scientific stage , interposing human indeterminacy between the scientist's theory and reality . Cybernetics was framed as a response to what for many , including Einstein and Wiener ...
Side 72
... human being , not only from embryonic tissue . An adult could thus realize his fantasm of immortality by having a ... human biosphere in space , a postmodern ark to preserve the human species and the organic life of this planet in ...
... human being , not only from embryonic tissue . An adult could thus realize his fantasm of immortality by having a ... human biosphere in space , a postmodern ark to preserve the human species and the organic life of this planet in ...
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About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Copyright | |
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Achternbusch Adynata aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York