Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 25,Oplag 32003 |
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Side 13
... voice fades and pri- vate voices testifying to the individual consequences of the war replace it . Those private voices emanate from different masks , such as the sisters of a slain soldier in “ Come up from the Fields Father " , and ...
... voice fades and pri- vate voices testifying to the individual consequences of the war replace it . Those private voices emanate from different masks , such as the sisters of a slain soldier in “ Come up from the Fields Father " , and ...
Side 25
... voice , and transformed Whitman into the compassion- ate Wound - Dresser . As such the strident glorification of war ex- pressed in " Adieu ” seems anachronistic and should be impossible following the disruption of poetic voice ...
... voice , and transformed Whitman into the compassion- ate Wound - Dresser . As such the strident glorification of war ex- pressed in " Adieu ” seems anachronistic and should be impossible following the disruption of poetic voice ...
Side 26
... voice . Although Whitman attempts to recon- solidate those experiences under the Wound - Dresser , that persona cannot heal his own split . In choosing to give voice to the dead he must lapse into silence , but the public voice denies ...
... voice . Although Whitman attempts to recon- solidate those experiences under the Wound - Dresser , that persona cannot heal his own split . In choosing to give voice to the dead he must lapse into silence , but the public voice denies ...
Indhold
The Modern Disillusioned War Poet | 9 |
Gendered Narratives of Revolution | 30 |
Sade on Pontecorvo | 48 |
Copyright | |
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Adorno Algerian woman American American Civil War analysis argue Assassins Battle of Algiers battlefield bleep body bombs boudoir Bourdieu Brandy Campobello's Cartucho Colombia colonial corpse critical cultural dead death democracy democratic Dialectic Dialectic of Enlightenment discourse Djamila Bouhired Dolmancé domination Drum-Taps emotional ence Enlightenment Eugénie Eugénie's experience Fanon Fernando's film Franco Freaks Talk Back French Freudian Gamson gender genre guests Hardt Horkheimer instrumental intellectual Jerry Springer Show Jerry's language Leaves of Grass León Marquis de Sade means Medellín Mistival mother narrative narrator Negri Nellie novel Oprah Winfrey Show performance pleasure poems poet poetic poetry political Pontecorvo public voice rape reciprocal relation representation reveals revolution role Saadi Sade Sade's scene Scorned Lovers sexual short story show's silence social society soldier space speech studio audience symbolic tabloid talk talk show television texts tion Trans trauma veil Vigil violence vision Walt Whitman Whitman women Wound-Dresser wounded writing