Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 25,Oplag 32003 |
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Side 13
... voice of first - hand witness to testify against the public voice of polit- ical commitment . Paradoxically , Whitman begins Drum - Taps in the public voice of the Union far from the battle and drumming for war : " Beat ! beat ! drums ...
... voice of first - hand witness to testify against the public voice of polit- ical commitment . Paradoxically , Whitman begins Drum - Taps in the public voice of the Union far from the battle and drumming for war : " Beat ! beat ! drums ...
Side 21
... public voice . In " Not the Pilot " , the poet explains that he must continue his battle song despite the fields of dead : " More than I have charged myself , heeded or unheeded , to compose a free march for These States ... battle ...
... public voice . In " Not the Pilot " , the poet explains that he must continue his battle song despite the fields of dead : " More than I have charged myself , heeded or unheeded , to compose a free march for These States ... battle ...
Side 25
... public " arous'd and angry " voice , and transformed Whitman into the compassion- ate Wound - Dresser . As such the strident glorification of war ex- pressed in " Adieu ” seems anachronistic and should be impossible following the ...
... public " arous'd and angry " voice , and transformed Whitman into the compassion- ate Wound - Dresser . As such the strident glorification of war ex- pressed in " Adieu ” seems anachronistic and should be impossible following the ...
Indhold
The Modern Disillusioned War Poet | 9 |
Gendered Narratives of Revolution | 30 |
Sade on Pontecorvo | 48 |
Copyright | |
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Adorno Algerian woman American American Civil War analysis argue Assassins Battle of Algiers battlefield bleep body bombs boudoir Bourdieu Brandy Campobello's Cartucho Colombia colonial corpse critical cultural dead death democracy democratic Dialectic Dialectic of Enlightenment discourse Djamila Bouhired Dolmancé domination Drum-Taps emotional ence Enlightenment Eugénie Eugénie's experience Fanon Fernando's film Franco Freaks Talk Back French Freudian Gamson gender genre guests Hardt Horkheimer instrumental intellectual Jerry Springer Show Jerry's language Leaves of Grass León Marquis de Sade means Medellín Mistival mother narrative narrator Negri Nellie novel Oprah Winfrey Show performance pleasure poems poet poetic poetry political Pontecorvo public voice rape reciprocal relation representation reveals revolution role Saadi Sade Sade's scene Scorned Lovers sexual short story show's silence social society soldier space speech studio audience symbolic tabloid talk talk show television texts tion Trans trauma veil Vigil violence vision Walt Whitman Whitman women Wound-Dresser wounded writing