Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 25,Oplag 32003 |
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Side 24
... described in Whitman's three - line epilogue . The boy's corpse renders both poet and poem blind witnesses to the dead . Whitman cannot bring into language that which his eyes ( both physical and metaphysical ) cannot see , therefore ...
... described in Whitman's three - line epilogue . The boy's corpse renders both poet and poem blind witnesses to the dead . Whitman cannot bring into language that which his eyes ( both physical and metaphysical ) cannot see , therefore ...
Side 50
... described according to the logic ( or the rhetoric ) of reciprocal destruction . From what remains a distinctly violent encounter , Hardt and Negri argue , there emerges a different story - that of the movement from the expression of ...
... described according to the logic ( or the rhetoric ) of reciprocal destruction . From what remains a distinctly violent encounter , Hardt and Negri argue , there emerges a different story - that of the movement from the expression of ...
Side 91
... described ( if it ever could ) as a singular genre . The advent of the Jerry Springer Show , oft described as the worst of " trash , " " tabloid " or " lowest common denominator " television and widely received as a kind of anti - Oprah ...
... described ( if it ever could ) as a singular genre . The advent of the Jerry Springer Show , oft described as the worst of " trash , " " tabloid " or " lowest common denominator " television and widely received as a kind of anti - Oprah ...
Indhold
The Modern Disillusioned War Poet | 9 |
Gendered Narratives of Revolution | 30 |
Sade on Pontecorvo | 48 |
Copyright | |
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Adorno Algerian woman American American Civil War analysis argue Assassins Battle of Algiers battlefield bleep body bombs boudoir Bourdieu Brandy Campobello's Cartucho Colombia colonial corpse critical cultural dead death democracy democratic Dialectic Dialectic of Enlightenment discourse Djamila Bouhired Dolmancé domination Drum-Taps emotional ence Enlightenment Eugénie Eugénie's experience Fanon Fernando's film Franco Freaks Talk Back French Freudian Gamson gender genre guests Hardt Horkheimer instrumental intellectual Jerry Springer Show Jerry's language Leaves of Grass León Marquis de Sade means Medellín Mistival mother narrative narrator Negri Nellie novel Oprah Winfrey Show performance pleasure poems poet poetic poetry political Pontecorvo public voice rape reciprocal relation representation reveals revolution role Saadi Sade Sade's scene Scorned Lovers sexual short story show's silence social society soldier space speech studio audience symbolic tabloid talk talk show television texts tion Trans trauma veil Vigil violence vision Walt Whitman Whitman women Wound-Dresser wounded writing