Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 30
An Alternative to the Method Don Richardson. 00 You're expected to land precisely on the mark , coming to a " dead stop " after running , or pacing about in a heated argument , etc. There's no excuse for not " hitting your mark . " It ...
An Alternative to the Method Don Richardson. 00 You're expected to land precisely on the mark , coming to a " dead stop " after running , or pacing about in a heated argument , etc. There's no excuse for not " hitting your mark . " It ...
Side 132
... you're alone . You'll get into the fatal habit of listening to yourself , which leads to phony and affected " readings . " Jehlinger said , " Good voices have ruined more actors than whiskey . " Also , you'll end up doing a solo even ...
... you're alone . You'll get into the fatal habit of listening to yourself , which leads to phony and affected " readings . " Jehlinger said , " Good voices have ruined more actors than whiskey . " Also , you'll end up doing a solo even ...
Side 150
... You can't make your mind a blank . When the other person speaks , keep thinking your objective and you'll hear the same way we do in life . " Some of the ... you're interesting and deserve the proper time for each moment 150 Lesson XIV.
... You can't make your mind a blank . When the other person speaks , keep thinking your objective and you'll hear the same way we do in life . " Some of the ... you're interesting and deserve the proper time for each moment 150 Lesson XIV.
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young