Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 68
... tell him to go through the steps I just taught , to reach an " emotional state " of terror . He arrives at it quickly . " Describe what it feels like , " I say . ... " Like I'm frantic wild .... " He looks disoriented , panic stricken ...
... tell him to go through the steps I just taught , to reach an " emotional state " of terror . He arrives at it quickly . " Describe what it feels like , " I say . ... " Like I'm frantic wild .... " He looks disoriented , panic stricken ...
Side 115
... tell her . Here then is the com- pleted chart : Bank Robber Cop Objective- To get the money . To get promoted . To escape . To stay alive . Emotion- Fear . Terror . Ambition . Joy . Before we do the scene , I ask the robber if he has ...
... tell her . Here then is the com- pleted chart : Bank Robber Cop Objective- To get the money . To get promoted . To escape . To stay alive . Emotion- Fear . Terror . Ambition . Joy . Before we do the scene , I ask the robber if he has ...
Side 186
... tell you a joke , your immedi- ate thought is , “ Oh , yeah . ... I dare you to make me laugh . " So , for laughing , the objective is " to not laugh , " and for crying , " to not cry . " Let's start with crying . I warn the class not to ...
... tell you a joke , your immedi- ate thought is , “ Oh , yeah . ... I dare you to make me laugh . " So , for laughing , the objective is " to not laugh , " and for crying , " to not cry . " Let's start with crying . I warn the class not to ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young