Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 140
... stage - manager write it down . So , we're back to you again . " " Is the stage - manager the one who writes those parentheses in published plays ? " " Most of them . They're there to guide him in understudy re- hearsals , and also to ...
... stage - manager write it down . So , we're back to you again . " " Is the stage - manager the one who writes those parentheses in published plays ? " " Most of them . They're there to guide him in understudy re- hearsals , and also to ...
Side 143
... stage . ” I explain that in our theatres the audience is raised to help visibil- ity . In the Elizabethan theatre , the audience sat on one level and the stage was raised , so that an actor walking away from the footlights was actually ...
... stage . ” I explain that in our theatres the audience is raised to help visibil- ity . In the Elizabethan theatre , the audience sat on one level and the stage was raised , so that an actor walking away from the footlights was actually ...
Side 144
... stage are opposite to the theatre . They're based on the camera operator's LEFT and his RIGHT , as shown : Х Actor Lens Left Camera Right Х Camera Operator Whereas in the theatre the director will say , " cross stage right , " on the ...
... stage are opposite to the theatre . They're based on the camera operator's LEFT and his RIGHT , as shown : Х Actor Lens Left Camera Right Х Camera Operator Whereas in the theatre the director will say , " cross stage right , " on the ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young