Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Resultater 1-3 af 17
Side 50
... sound of sizzling bacon . . . . " If that's so , what does her character do for a brain while she mentally takes time out for a trip to her kitchen ? Also , what does the actress do on the sound - stage after eight or ten " takes ...
... sound of sizzling bacon . . . . " If that's so , what does her character do for a brain while she mentally takes time out for a trip to her kitchen ? Also , what does the actress do on the sound - stage after eight or ten " takes ...
Side 144
... sound - stage are opposite to the theatre . They're based on the camera operator's LEFT and his RIGHT , as shown : Х Actor Lens Left Camera Right Х Camera Operator Whereas in the theatre the director will say , " cross stage right ...
... sound - stage are opposite to the theatre . They're based on the camera operator's LEFT and his RIGHT , as shown : Х Actor Lens Left Camera Right Х Camera Operator Whereas in the theatre the director will say , " cross stage right ...
Side 150
... sound - stage , where the microphone is right above , you don't have to project , but you still need resonance . If you use breath , the sound - mixer will keep turning up the " gain , " and your performance will be spoiled by sounds of ...
... sound - stage , where the microphone is right above , you don't have to project , but you still need resonance . If you use breath , the sound - mixer will keep turning up the " gain , " and your performance will be spoiled by sounds of ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young