Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 50
... script can contain as little as thirty pages of actual dialogue . If tomorrow you're hired by Universal Stu- dios to play a cop , they'll give you a Xerox copy of the script ( usually to read overnight ) , in which you find the ...
... script can contain as little as thirty pages of actual dialogue . If tomorrow you're hired by Universal Stu- dios to play a cop , they'll give you a Xerox copy of the script ( usually to read overnight ) , in which you find the ...
Side 129
... script , the first thing to look for is what I call " the basic joke . " That's the root joke that links it with all mankind . That's far more important than all the clever dialogue or funny pieces of " business . " The basic joke in ...
... script , the first thing to look for is what I call " the basic joke . " That's the root joke that links it with all mankind . That's far more important than all the clever dialogue or funny pieces of " business . " The basic joke in ...
Side 191
... script , 131 , 132 Acting is reacting , 132 Learning lines , 131 , 132 Who plans the moves ? - " blocking , " 135 , 136 Working with limited directors , 135 , 136 What is the story ? 136 What is the time period ? 136 What is the ...
... script , 131 , 132 Acting is reacting , 132 Learning lines , 131 , 132 Who plans the moves ? - " blocking , " 135 , 136 Working with limited directors , 135 , 136 What is the story ? 136 What is the time period ? 136 What is the ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young