Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 30
... remember ! The character lives only in a world of illusion , inside a set with an imaginary fourth wall . The char- acter has no director , no lines , and no technical instructions . These matters belong only to you , the actor . To ...
... remember ! The character lives only in a world of illusion , inside a set with an imaginary fourth wall . The char- acter has no director , no lines , and no technical instructions . These matters belong only to you , the actor . To ...
Side 48
... remember an incident in your life when you felt that way ? " he asked her . She said she did , and described a time when she was five years old and walked around the block with her father . She looked happy as she told the class about ...
... remember an incident in your life when you felt that way ? " he asked her . She said she did , and described a time when she was five years old and walked around the block with her father . She looked happy as she told the class about ...
Side 50
... remember a license plate number that he can't recall any other way . Is the pre - conscious any help to the actor ? I think not . Even if we could get to it , the terrain would be mysti- fying because the pre - conscious does its work ...
... remember a license plate number that he can't recall any other way . Is the pre - conscious any help to the actor ? I think not . Even if we could get to it , the terrain would be mysti- fying because the pre - conscious does its work ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young