Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 127
... laughing at you and not with you , which results in failure . The audi- ence can fool you at times , and not laugh when you expect them to , or laugh in places you didn't anticipate , but then you make immediate adjustments for the next ...
... laughing at you and not with you , which results in failure . The audi- ence can fool you at times , and not laugh when you expect them to , or laugh in places you didn't anticipate , but then you make immediate adjustments for the next ...
Side 129
... laugh . If you give them false - alarm cues , they'll stop trusting you after a while and won't laugh when you want them to . There is also a classic rule of three in comedy . You can do the same joke three times if the third time you ...
... laugh . If you give them false - alarm cues , they'll stop trusting you after a while and won't laugh when you want them to . There is also a classic rule of three in comedy . You can do the same joke three times if the third time you ...
Side 186
... laughing . If I say to you that I'm going to tell you a joke , your immedi- ate thought is , “ Oh , yeah . ... I dare you to make me laugh . " So , for laughing , the objective is " to not laugh , " and for crying , " to not cry ...
... laughing . If I say to you that I'm going to tell you a joke , your immedi- ate thought is , “ Oh , yeah . ... I dare you to make me laugh . " So , for laughing , the objective is " to not laugh , " and for crying , " to not cry ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young