Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 30
... imaginary fourth wall . The char- acter has no director , no lines , and no technical instructions . These matters belong only to you , the actor . To prove that your body remembers , try these little experiments . If you can touch ...
... imaginary fourth wall . The char- acter has no director , no lines , and no technical instructions . These matters belong only to you , the actor . To prove that your body remembers , try these little experiments . If you can touch ...
Side 106
... imaginary fan , wear an imagi- nary corset , bow in a make - believe cape , or draw an imaginary sword . Anything you want to make real must be included in your illusion . In a film , after a costume fitting , be sure to go home and ...
... imaginary fan , wear an imagi- nary corset , bow in a make - believe cape , or draw an imaginary sword . Anything you want to make real must be included in your illusion . In a film , after a costume fitting , be sure to go home and ...
Side 190
... Imaginary experiences , 113 Planning falls and stunts , 115 Sense memory and substitutions , 115 , 116 Inventing a death scene , 115-117 Modern versus old - fashioned acting , 116 Vanity is a no - no , 117 Understanding what's funny ...
... Imaginary experiences , 113 Planning falls and stunts , 115 Sense memory and substitutions , 115 , 116 Inventing a death scene , 115-117 Modern versus old - fashioned acting , 116 Vanity is a no - no , 117 Understanding what's funny ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young