Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 37
... hand ; in his left hand , he was carrying a white canvas bank - bag . He approached a 1979 Ford Pinto , parked at the curb on Burbank Boulevard , facing south . Three times I ordered him to halt , and he ignored my warnings . As he was ...
... hand ; in his left hand , he was carrying a white canvas bank - bag . He approached a 1979 Ford Pinto , parked at the curb on Burbank Boulevard , facing south . Three times I ordered him to halt , and he ignored my warnings . As he was ...
Side 148
... hands on the trapeze , or when he catches the other trapeze ? Of course not . It's when he's flying through space ... hand . One of the students fills in as stage- manager and is ready to help with dialogue . When they need help , I ...
... hands on the trapeze , or when he catches the other trapeze ? Of course not . It's when he's flying through space ... hand . One of the students fills in as stage- manager and is ready to help with dialogue . When they need help , I ...
Side 182
... hand , ready to crush it . I tell the class that what they've seen is exactly the wrong way to go about it . Instead , I ask the strong man to extend his hand with absolute ease and do nothing whatsoever to prove his strength . The ...
... hand , ready to crush it . I tell the class that what they've seen is exactly the wrong way to go about it . Instead , I ask the strong man to extend his hand with absolute ease and do nothing whatsoever to prove his strength . The ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young