Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 41
... give up trying , the audi- ence loses interest in them . The greater the struggle , the more the excitement . The larger the risk , the greater the suspense . " I ask if there are any questions . " Can one objective take the girl ...
... give up trying , the audi- ence loses interest in them . The greater the struggle , the more the excitement . The larger the risk , the greater the suspense . " I ask if there are any questions . " Can one objective take the girl ...
Side 60
... give advice to young actors , he said , ' Just learn your lines and don't bump into people . ' Others say they're Method actors without having the vaguest idea what it's about . " Some actors love complexity ; it makes their work seem ...
... give advice to young actors , he said , ' Just learn your lines and don't bump into people . ' Others say they're Method actors without having the vaguest idea what it's about . " Some actors love complexity ; it makes their work seem ...
Side 150
... give you height and poise . Also , stand the way the Greek and Roman statues do , for better grace and line ... gives them a wooden - Indian appearance and requires a shift of weight for each move . When you have to sit , don't start ...
... give you height and poise . Also , stand the way the Greek and Roman statues do , for better grace and line ... gives them a wooden - Indian appearance and requires a shift of weight for each move . When you have to sit , don't start ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young