Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 63
... fear must rise to terror . Those are large feelings and all that you , the actor , have to start with is the little bit of fear that the name of the emotion evoked . First , how do you make it big enough to carry you through the ...
... fear must rise to terror . Those are large feelings and all that you , the actor , have to start with is the little bit of fear that the name of the emotion evoked . First , how do you make it big enough to carry you through the ...
Side 66
... fear into the large fear he needs to play the bank robber . I tell him , " While you're still seated , and as yourself , locate fear again in your body . " He does , and nods to indicate he's feeling it . The signs begin to show in his ...
... fear into the large fear he needs to play the bank robber . I tell him , " While you're still seated , and as yourself , locate fear again in your body . " He does , and nods to indicate he's feeling it . The signs begin to show in his ...
Side 67
... fear , and with it , add what you felt at the peak of the push - ups . Under- stand ? " " Yes , " he says , and even his voice has been influenced by the mini- mal fear he is feeling . " Action , " I say , and he rises , gasping for ...
... fear , and with it , add what you felt at the peak of the push - ups . Under- stand ? " " Yes , " he says , and even his voice has been influenced by the mini- mal fear he is feeling . " Action , " I say , and he rises , gasping for ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young