Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 37
... facts , " and the second is what I call " artistic truths . " Let's examine them both , beginning with facts . Let's say a policeman was near a bank while a robbery was in progress ; his report reads as follows : At 10:00 A.M. on June ...
... facts , " and the second is what I call " artistic truths . " Let's examine them both , beginning with facts . Let's say a policeman was near a bank while a robbery was in progress ; his report reads as follows : At 10:00 A.M. on June ...
Side 94
... fact , it took years for them to have " a difference of opinion , " at which point they never worked together again . Therefore , don't trust the author or the publisher to tell you what kind of play it is . Decide for yourself , by ...
... fact , it took years for them to have " a difference of opinion , " at which point they never worked together again . Therefore , don't trust the author or the publisher to tell you what kind of play it is . Decide for yourself , by ...
Side 132
... fact , he has the authority under Dramatists Guild rules to have you fired . Only rehearse ( play ) the scene with the actor you're going to perform with . Acting is reacting , and each person responds differ- ently . It's all right to ...
... fact , he has the authority under Dramatists Guild rules to have you fired . Only rehearse ( play ) the scene with the actor you're going to perform with . Acting is reacting , and each person responds differ- ently . It's all right to ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young