Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 23
... eyes and my scalp felt charged with electricity . Then , when it seemed no greater horror was possible , he ripped off the buckles from his toga and used them to gouge out his eyes . Blood poured down his cheeks as he crum- pled to the ...
... eyes and my scalp felt charged with electricity . Then , when it seemed no greater horror was possible , he ripped off the buckles from his toga and used them to gouge out his eyes . Blood poured down his cheeks as he crum- pled to the ...
Side 59
... eyes , their mouths , their bodies , even the way they breathed . Then one day , about forty years ago , when I was dizzy from searching in the mountains , I stumbled on it . I've taught it ever since to thousands of actors who work ...
... eyes , their mouths , their bodies , even the way they breathed . Then one day , about forty years ago , when I was dizzy from searching in the mountains , I stumbled on it . I've taught it ever since to thousands of actors who work ...
Side 186
... eyes to avoid distrac- tions . ( After accomplishing the exercise once , having the eyes open is no problem . ) They take deep breaths , feeling the emotion increase and encouraging each " catch " in the throat . In a few minutes their ...
... eyes to avoid distrac- tions . ( After accomplishing the exercise once , having the eyes open is no problem . ) They take deep breaths , feeling the emotion increase and encouraging each " catch " in the throat . In a few minutes their ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young