Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 92
... grandeur , who invaded the home of a simple working man . Aside from the casting , Kazan handed the entire play to Brando by constantly making him the center of the action . In the film version of the same play , with 92 Lesson IX.
... grandeur , who invaded the home of a simple working man . Aside from the casting , Kazan handed the entire play to Brando by constantly making him the center of the action . In the film version of the same play , with 92 Lesson IX.
Side 131
... entire class . The material is from movies , plays , TV episodes , short stories ( which are good when mainly in dialogue ) , and from other sources , including original pieces from some of the students who , in addition to acting , are ...
... entire class . The material is from movies , plays , TV episodes , short stories ( which are good when mainly in dialogue ) , and from other sources , including original pieces from some of the students who , in addition to acting , are ...
Side 186
... entire class to let the sounds come out , no mat- ter how offensive to their vanity . The sounds aren't pretty , but they're important for the microphone . When the entire class is sobbing like five - year - olds , I suddenly say ...
... entire class to let the sounds come out , no mat- ter how offensive to their vanity . The sounds aren't pretty , but they're important for the microphone . When the entire class is sobbing like five - year - olds , I suddenly say ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young