Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 3
... don't believe in the Stanislavsky " Method . " I also don't believe you have to become a drunk to play one , or shoot yourself up to play a drug addict , or turn a trick to portray a prostitute . You don't even have to go out and kill ...
... don't believe in the Stanislavsky " Method . " I also don't believe you have to become a drunk to play one , or shoot yourself up to play a drug addict , or turn a trick to portray a prostitute . You don't even have to go out and kill ...
Side 57
... don't go looking in the mountains . ' Let's apply it to finding emo- tions . Since voodoo and psychiatry can't help us , let's consider some- thing that makes us feel a whole galaxy of emotions without any labor whatsoever . " What ...
... don't go looking in the mountains . ' Let's apply it to finding emo- tions . Since voodoo and psychiatry can't help us , let's consider some- thing that makes us feel a whole galaxy of emotions without any labor whatsoever . " What ...
Side 150
... don't start sitting before you reach the chair ( that's another symptom of insecurity ) . Don't look for the chair either ; the audience will look wherever you do , and they'll think you're point- ing out something significant . Just ...
... don't start sitting before you reach the chair ( that's another symptom of insecurity ) . Don't look for the chair either ; the audience will look wherever you do , and they'll think you're point- ing out something significant . Just ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young