Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 117
... comes out with the money bag , sees the cop , and runs back into the bank . The cop chases him inside . When they come out again , the cop has the money and is running away with it ; the robber runs after him , shooting his gun in the ...
... comes out with the money bag , sees the cop , and runs back into the bank . The cop chases him inside . When they come out again , the cop has the money and is running away with it ; the robber runs after him , shooting his gun in the ...
Side 181
... come to think of it , I never did . But doesn't love fit the def- inition of emotions ? Feelings large enough to ... comes home on one of his benders and tries to murder his wife with an axe . As the scene starts , the terrified wife ...
... come to think of it , I never did . But doesn't love fit the def- inition of emotions ? Feelings large enough to ... comes home on one of his benders and tries to murder his wife with an axe . As the scene starts , the terrified wife ...
Side 186
... comes to you most easily ( any emotion will do ) . Next , consider what you think when you're crying in life . I ... come out , no mat- ter how offensive to their vanity . The sounds aren't pretty , but they're important for the ...
... comes to you most easily ( any emotion will do ) . Next , consider what you think when you're crying in life . I ... come out , no mat- ter how offensive to their vanity . The sounds aren't pretty , but they're important for the ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young