Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 73
... choose ? What does he think he wants ? " " To win the case , " she responds immediately . " Excellent . Now , what shall we choose as his emotion ? " " Confidence , " she suggests . " That's not an emotion in acting terms . I said that ...
... choose ? What does he think he wants ? " " To win the case , " she responds immediately . " Excellent . Now , what shall we choose as his emotion ? " " Confidence , " she suggests . " That's not an emotion in acting terms . I said that ...
Side 114
... choose for the next new event , when the cop shoots you , and you're dying ? " " I picked to stay alive , and my emotion is still terror . " " Excellent . You understand the principle perfectly . Let's put it on the board for our ...
... choose for the next new event , when the cop shoots you , and you're dying ? " " I picked to stay alive , and my emotion is still terror . " " Excellent . You understand the principle perfectly . Let's put it on the board for our ...
Side 138
... choose what will make the audience like you ; if you're the antagonist , make choices that will prejudice them against you . That's hard for an actor to do because we all want to be liked , but don't let that influence your decisions or ...
... choose what will make the audience like you ; if you're the antagonist , make choices that will prejudice them against you . That's hard for an actor to do because we all want to be liked , but don't let that influence your decisions or ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young