Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 12
... believe you can create art the way you bake a cake . If you can learn what I teach you and not have to think about it while you're acting , so much the better . I believe in burdening the actor as little as possible . Also , I believe ...
... believe you can create art the way you bake a cake . If you can learn what I teach you and not have to think about it while you're acting , so much the better . I believe in burdening the actor as little as possible . Also , I believe ...
Side 19
... believe the story , the audience must first believe in you . How do you set yourself this standard of honesty ? " Do it for the one man who knows , " said my first teacher . " But who is he ? " we asked . " He's always there , " said ...
... believe the story , the audience must first believe in you . How do you set yourself this standard of honesty ? " Do it for the one man who knows , " said my first teacher . " But who is he ? " we asked . " He's always there , " said ...
Side 81
... believe we are apes unfinished ones . " A flush of annoyance has come into her face . " Obviously you ac- cept the theory of evolution . " " Yes , I do , and I believe it's still in progress . There are people around us in all stages of ...
... believe we are apes unfinished ones . " A flush of annoyance has come into her face . " Obviously you ac- cept the theory of evolution . " " Yes , I do , and I believe it's still in progress . There are people around us in all stages of ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young