Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 43
... Beat one , " to enter the store " ; Beat two , " to charm the manager " ; Beat three , " to distract him " ; and so on , toward utter madness . These distortions of Stanislavsky's simple basic concepts have gotten so complicated that ...
... Beat one , " to enter the store " ; Beat two , " to charm the manager " ; Beat three , " to distract him " ; and so on , toward utter madness . These distortions of Stanislavsky's simple basic concepts have gotten so complicated that ...
Side 127
... beat " before it goes haywire . He said that jokes can be dialogue , visual , and even in sound , but the same principal always applies . The beat must always be there " to cue the audience , so they know when to laugh . " In other ...
... beat " before it goes haywire . He said that jokes can be dialogue , visual , and even in sound , but the same principal always applies . The beat must always be there " to cue the audience , so they know when to laugh . " In other ...
Side 129
... beat ) , then Oscar turns quickly and sprays the food . That's the " derailment , " but it's Felix's reaction ( burn ) that gets a howl on top of the laugh . Here we have another important comedy principle : the joke is not the man ...
... beat ) , then Oscar turns quickly and sprays the food . That's the " derailment , " but it's Felix's reaction ( burn ) that gets a howl on top of the laugh . Here we have another important comedy principle : the joke is not the man ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young