Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 37
... Bank of America , which is located at that corner . I drew my weapon and approached the bank . When I was approximately 40 feet from the entrance , a man ran out of the front door . He was about 30 years of age , 6 feet tall , weighed ...
... Bank of America , which is located at that corner . I drew my weapon and approached the bank . When I was approximately 40 feet from the entrance , a man ran out of the front door . He was about 30 years of age , 6 feet tall , weighed ...
Side 38
... bank at the same time ; not necessarily an artist , but someone with similar sensibilities , a person who sees things subjec- tively , sympathetically . In this case , a lady secretary reports ... I was passing this bank on Van Nuys ...
... bank at the same time ; not necessarily an artist , but someone with similar sensibilities , a person who sees things subjec- tively , sympathetically . In this case , a lady secretary reports ... I was passing this bank on Van Nuys ...
Side 67
... bank robber . He feels like him , but something is missing . What ? " " His objective , " they shout at me in unison . " Right . He feels like the robber , but he isn't thinking what the robber thinks . What is the character's ...
... bank robber . He feels like him , but something is missing . What ? " " His objective , " they shout at me in unison . " Right . He feels like the robber , but he isn't thinking what the robber thinks . What is the character's ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young