Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1988 - 194 sider This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. This text offers an alternative to the Stanislavsky "method" and teaches another way of arriving at emotions, which is described in detail throughout the text. MARKETS: Undergraduate and graduate courses in acting and directing. |
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Side 118
... audience won't laugh unless they're sure nobody is really getting hurt . " I explain that in this scene , the robber could get shot , but in a funny place , like the seat of his pants , and he'd have to die doing some- thing silly ...
... audience won't laugh unless they're sure nobody is really getting hurt . " I explain that in this scene , the robber could get shot , but in a funny place , like the seat of his pants , and he'd have to die doing some- thing silly ...
Side 129
... audience to laugh . If you give them false - alarm cues , they'll stop trusting you after a while and won't laugh ... audience , and there are only a few of them with many variations . Once you learn to detect them in the script , you've ...
... audience to laugh . If you give them false - alarm cues , they'll stop trusting you after a while and won't laugh ... audience , and there are only a few of them with many variations . Once you learn to detect them in the script , you've ...
Side 138
... audience is rooting for . ) Who is the antagonist ? ( The person they're against . ) Decide which of these you are , and make your choices accordingly . If you're the pro- tagonist , choose what will make the audience like you ; if you ...
... audience is rooting for . ) Who is the antagonist ? ( The person they're against . ) Decide which of these you are , and make your choices accordingly . If you're the pro- tagonist , choose what will make the audience like you ; if you ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 25 |
Who Is My Character? | 35 |
Copyright | |
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acting actor actress Al Pacino ask the class audience bank robber basic joke beat behavior believe Bettmann Archive blackboard body brain called camera character character's Charles Jehlinger choose Colleen Dewhurst comedy Description-The mirror dialogue director drama Dustin Hoffman Elia Kazan enter fear feel film front funny girl hand Helen Hayes imaginary improvisation Jehlinger's Kazan lady laugh lawyer Lesson look Luther Adler Marlon Brando Method mind never objectives and emotions Odd Couple Olivier Oscar performance person play playwright practice rehearsal relax remember Ron Leibman Sam Levene scene script sense-memory Shakespeare Shirley Booth shooting shot someone sound-stage stage Stanislavsky stay Stella Adler story Strasberg Streetcar Named Desire style taught teach teacher tell the class theatre there's things thought tion truth Uta Hagen voice walk watching what's wife word young